Edited Volumes

2016 Integrating Art and Technology in Practice: Techne/Technique/Technology. (co-edited by Camille Baker). Routledge.


2020 History of Internet Performance. Dancegeist.

2018 Hacking the Body 2.0: dancing between commercial and DIY wearable technology. International Journal for Performance Arts with Digital Media. Routledge.

2017 Sound Choreography <> Body Code: Software Deployment and Notational Engagement Without Trace. Contemporary Theatre Review. Taylor and Francis.

2016 Editorial Live Coding Special Issue. International Journal for Performance Arts with Digital Media. Routledge.

2015 Data Management Part III: An Artistic Framework for Understanding Technology without Technology in Media N: Journal of the New Media Caucus.

2015 Dancing APIs. Hack Circus. Issue 5.

2014 Hacking Choreography: Dance and Live Coding. Computer Music Journal. Spring. 38(1). MIT Press.

2013 Choreotopology: Interrelationships in Movement, Screens and Live Performance. Leonardo Electronic Almanac 19(3). MIT Press.

2013 Students perceptions of collaborative learning in intermedia and performance arts. Learning Performance Quarterly 4(1). Sage Publications.

Book Chapters

2017 Critical Interventions in Wearable Tech, Smart Fashion & E-textiles in Art and Performance. Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave MacMillan.

2016 Wearable Costumes. Wearable Recipes: Crafting Technology with Fashion . Apex.

2014 Coding Choreography: Twists in Language, Technology and Movement Torque 1: Mind Language Technology. Links Editions.

2013 Digital Performance. Observing Theatre: Spirituality and Subjectivity in Performing Arts. Rodopi.

2012 Hacking choreography beta v.02. On turtles and dragons and the dangerous quest for a media art notation system. Times Up Press.

Book Reviews

2012 Book Review. Journal of Gender Studies 21(3).

2008 Book Review. International Journal of Performance Arts with Digital Media 4(1).

Invited Talks

2019 Live Coding Visuals and Sound. Bard College. NY, USA

2019 Algorithmic Dance Composition Through Live Coding. Expo’74 (Max Conference), Mass MoCA USA

2019 LiveCodeLab, New York University, Brooklyn NY, USA

2018 Freakonomics Podcast, Joes Pub, New York City, NY, USA

2017 The Conference. Malmo SE

2017 Eyeo Festival. Walker Arts Center. Minneapolis, MN USA

2017 Resonate Festival. Belgrade RS

2017 Leaders in Software Art. New York, NY US

2016 Embodying Programming Paradigms. Institute for Music and Media. Dusseldorf DE

2016 Teaching Technology to Kids who Learn Differently. Creative Tech Week NYC. New York NY

2016 HTB2.0. MVR4. New York NY

2015 Non Traditional Paths into Technology. Women Who Code @ Harry’s. New York NY

2015 Dancing and Coding. Girls Who Code @ Accenture. New York NY

2015 Laban Movement Principles for UX Design. Fjord. New York NY

2015 Intro to Physical Computing. Women Who Code @ Huge. New York NY

2015 Hacking Choreography. School for Poetic Computation. New York NY

2015 Hacking Choreography. Babycastles. New York NY

2015 Physical Computing Workshop. Connecticut College. New London CT

2014 Live Coding Choreography. Node Code. Frankfurt DE

2014 Hacking the Body. Wearable Horizons. South Bank Centre, London UK

2014 Programmer as Choreographer: Coding, Hacking, Dancing. Scrambled Messages Workshop. Kings College, London UK

2014 Hacking Choreography 2.0 (with Nick Rothwell) EU Art ICT Connect, EU Commission, Brussels BE

2014 Choreotoplogy: Complex Space in Choroegraphy with Real Time Video. Real Time Visual Conference, Newcastle UK

2013 Being Interdisciplinary. UArts Multimedia Department. University of the Arts, Philadelphia US

2013 Hacking Choreography. Datarama at Pixel Palace, Newcastle UK

2013 Live Coding Choreography. Thursday Club (with Alex McLean). Goldsmiths University of London, London UK

2012 Hacking Choreography. Data Ecologies: The Map and the Territory. Times Up, Linz AT

2012 Real-time Video in Performance. Dorkbot Sheffield # 4, Sheffield UK

Conference Presentations

2020 Terpsicode: Live Coding Choreography. The 6th International Conference on Live Coding, Limerick Ireland

2019 Programming paradigms for the human interpreter. The 5th International Conference on Live Coding, Madrid Spain.

2017 Layering Machine Learning and Choreography. Mixed Initiative Creative Interfaces Workshop. CHI 2017. Denver CO, USA

2016 Reflections on Live Coding Dance. International Conference on Live Coding. Hamilton, CAN

2016 HTB2.0 Flutter/Stutter. International Society of Electronic Arts ISEA2016, Hong Kong

2015 Stitch. Bitch. Make/Perform. Electronic Visualisation and the Art EVA, London UK

2013 Hacking the Body Workshop. International Society of Electronic Arts ISEA2013, Sydney AUS

2013 Hacking the Body Workshop. ACM Creativity and Cognition Conference, Sydney AUS

2011 Choreographing Topological Spaces within Dance Performance with Real-time Video. International Society of Electronic Arts ISEA2011, Istanbul Turkey

2010 Exploring the Software Programmer as Choreographer. Digital Resources in Humanities and the Arts Conference, London UK

2010 Beyond TV Spectacle – The Choreographic Craft of So You Think You Can Dance. Society of Dance History Scholars Annual Conference, London UK

2010 Frames within Frames within Frames: Real-time video in Live Performance Moves Festival, Liverpool UK

2009 Approaches to Teaching and Learning Real Time Video and Choreography. CORD Special Topics Conference: Global Perspectives on Dance Pedagogy, Leicester UK

2007 Systems and Content: A Choreological Investigation of Interactive Dance. (re)Actor2 International Conference, Leeds UK

2007 The Stage and the Screen: Choreographing the Balance Moves Screen Choreography Conference, Manchester UK